art + science + collective thinking

curriculum vitae

Lucy HG Solomon

AFFILIATIONS

Cesar & Lois; The League of Imaginary Scientists (Artist/Researcher)
California State University San Marcos, Department of Art, Media and Design (Associate Professor)
ACTlab at Universidade Estadual de Campinas (UNICAMP) in Brazil (Affiliate Researcher)
Beall Center for Art + Technology, University of California Irvine (Artist in Residence – Cesar & Lois)
More-than-Planet, PhotoNorth and Oulanka Research Station, Finland (Artist in Residence – Cesar & Lois)


EXHIBITIONS, ACTIONS and COMMISSIONS

  • Ars Electronica Festival (September, 2023). Towards a Boreal Intelligence by Cesar & Lois, More-than-Planet Lab, POSTCITY, Linz, Austria
  • Forests and Fjords: Research in Art and Ecology (August, 2023). Towards a Boreal Intelligence: Research-based Works by Cesar & Lois, SENT, Oslo, Norway
  • Revisão das Teorias de Paisagem (Review of Landscape Theories) (May – August 2023). Thinking like a Mushroom by Cesar & Lois, Instituto de Artes, Universidade Estadual de Campinas (UNICAMP), Brazil
  • 13th Mercosul Biennial: Trauma, sonho e fuga (September 2022–November 2022). Mycorrhizal Insurrection by Cesar & Lois, Instituto Caldeira, Porto Alegre, Brazil, curated by Marcello Dantas
  • Computational Poetics (October 2022 – January 2023). Degenerative Cultures: fire and water by Cesar & Lois, Beall Center for Art + Technology, UC Irvine, CA, USA
  • Facto 9, Festival de Arte, Ciência e Tecnologia (August 2022). Growth over Cicero, Nature’s Feedback by Cesar & Lois, Museu Arte Ciência e Tecnologia, Universidade Federal de Santa Maria, RS, Brazil
  • AI Delivered: Redemption (April 2022–June 2022). Allochronic Cycles by Cear & Lois, Chronus Art Center, Shanghai, China (November 2021–March 2022) and at Zhi Art Museum, Chengdu, China
  • Trifecta (September 2021–December 2021). Allochronic Cycles by Cesar & Lois; with plant microbiologist Dr. Joanne Chory, Salk Institute, La Jolla Historical Society, La Jolla, CA.
  • Aesthetica Art Prize Exhibition, Future Now (May 2021–September 2021). Degenerative Cultures, island nation and rising tides by Cesar & Lois. York Art Gallery, UK
  • Eat the Internet with Cesar & Lois: digital foraging, analog mushrooms (June 2021). Yes We Cannibal, Baton Rouge, USA.
  • Edital CoMciência – Ocupação em Arte, Ciência e Tecnologia (December 2019–March 2020). Degenerative Cultures: Floresta Amazônica by Cesar & Lois. MM Gerdau, Belo Horizonte, Brazil.
  • Global Digital Art Prize Biennial (October–November 2019), Degenerative Cultures: corrupting the codes of duality by Cesar & Lois. NTU Institute of Science and Technology for Humanity, Singapore.
  • Sentient States: Bio-mind and Techno-nature (June 2019), The Bhiobrid Logic of Degenerative Cultures by Cesar & Lois. Universidade Católica Portuguesa, Porto, Portugal.
  • Subterranean (April 2019), Traces of Nature’s Knowledge by Cesar & Lois. San Diego Mesa College Art Gallery, San Diego, CA.
  • ICIA (International Competition for Intermedia Art)(December 2018 – January 2019), Crossing Knowledge Systems: Conversations across Nature and Humanity. Galeria Wydziatu Intermediów OPCJA, Krakow, Poland.
  • The Urgency of Reality in a Hyper-Connected Age, SIGGRAPH2019 (2019), An Integrated Bhiobrid Reality: Degenerative Cultures. SIGGRAPH, Los Angeles and online.
  • Grey Matter (January 2019), Thinking like a Mushroom by Cesar & Lois. A Ship in the Woods, Escondido, California.
  • Uncommon Natures, Lumen Prize Exhibition (September 2018), Degenerative Cultures by Cesar & Lois. Brighton Digital Festival at Phoenix Brighton in Brighton, UK.
  • ISEA (International Symposium on Electronic Art) 2018 in Durban (June 2018), The [ECO]Nomic Revolution: when microbiological logic determines everything by Cesar & Lois. Denis Hurley Center, Durban, South Africa .
  • A Ship in the Woods Music and Art Festival (June 2018), Acornucopia by LOIS. Felicita Park in Escondido, CA.
  • CODAME ART+TECH Festival 2018 (June 2018), Degenerative Cultures with Interpretative Readings by Cesar & Lois. The Midway, San Francisco.
  • LAST (Life, Art, Science and Tech) Festival 2018 (April 2018), [ECO]nomic revolution – Palo Alto by Cesar & Lois. SLAC National Accelerator Laboratory, Stanford University.
  • Microgentrification takes over Los Angeles (April 2018), Microgentrification – Los Angeles by Cesar & Lois. JAUS Art Space, Los Angeles.
  • Campus Creatives (April-May 2018), Anthropocene Data Visualization by LOIS. California Center for the Arts, Escondido.
  • XX Generative Art Exhibition 2017 (December 2017), Degenerative Cultures by Cesar & Lois. MAR – Museum of Art, Ravenna, Italy.
  • Action: [ECO]nomic Paths: following microbiological logic, Berlin (February 2018),  [ECO]nomic Paths – Berlin by Cesar & Lois. City-based actions with introduction at IZM, Universität der Künste, Berlin.
  • Balance-Unbalance (August 2017), The Incredible Balancing Act by LOIS. Plymouth University, UK
  • Postcards from the Anthropocene: Unsettling the Geopolitics of Representation (June 2017), Postcards from the Anthropocene by LOIS. University of Edinburgh, Scotland.
  • Sundance Festival (January 2017), Social Cinema Machine by LOIS. Comissioned by Sundance Institute, Sundance, Park City, Utah; also screened at Locomoción Festival (October 2017) in Mexico City and Alternative Film Festival (finalist, best animation, 2017) in Toronto, Canada.
  • Flat Earth (September-November 2016), RePangaea by LOIS. A Ship in the Woods, Escondido, California,
  • Felicita (June 2016), Mechanized Eco-Systems and Ecologically Tuned Instruments by LOIS. A Ship in the Woods, Escondido, California.
  • BroadCast 2016, curated by Kim Abeles (September 2016), Really Real Estate by LOIS. Keystone Gallery, Los Angeles, California.
  • Vision LA Climate Action Arts Festival (December 2015), Earth, Exit This Way by LOIS. Armory Center for the Arts, Pasadena, California.
  • Distant Yet Connected (April 2015), microcosmic view of ecosystems. 643 Project Space, Ventura, California.
  • The Incredible Balancing Act by LOIS (March-April 2015), with workshops for students. McNish Gallery, Oxnard, California.
  • Vague Notations, or Please Befigulate by LOIS (August 2014), curated and produced by FICTILIS. Interface Gallery, Oakland.
  • Time Pools: Accessing the Aquifer by LOIS (April-May 2013), with the Groundwater Institute and the participation of University of Memphis student artists. Art Museum of University of Memphis.
  • When I Heard the Learn’d Astronomer (November-December 2012), Model Universe by LOIS. Space Gallery, Portland, Maine.
  • Seeing is Knowing: The Universe (September-November 2011), Blazar! by LOIS. Carleton College, Minnesota.
  • Model Universe (2012), physical interactions with the Universe by LOIS. Llewellyn Gallery, Alfred, NY: 2012.
  • Public Engagement (January-March 2011), The Evolving Contraption by LOIS. Comission for Museum of Contemporary Art (MOCA), Los Angeles, California.
  • Entropy Engineering (August-October, 2011), Entropy Engineering by LOIS with students of Dr. David Zietlow (Mechanical Engineering). Hartmann Center Art Gallery, Bradley University, Peoria, Illinois.
  • Lovely Weather: Art and Climate Change (November 2010 – January 2011), The Irish Rover: Looking for Mars Off the Northern Coast of Ireland by LOIS. Commission by Leonardo/Olats and the Regional Cultural Centre / Donegal County Public Art Office, Letterkenny, Ireland.
  • Animalia (May-June 2010), Hybrid Dolphin. The Center for Fine Art Photography, Fort Collins, Colorado.
  • Art and Agriculture (May 2010), Yeast Fields, Columbia Center for the Arts, Hood River, Oregon.
  • Performance at 2009 United Nations Climate Change Conference (December 2009), Human Glacier, result of iLand residency with choreography collective E.K.K.O. Museum of Contemporary Art, Copenhagen.
  • Interacting with Water Systems (August 2009), Waterways iLand residency with chemist David Garin, architect Annie Kwon, composer Matt McBane. Waterpod, New York/
  • 2012: Art, The City, and the Environment, curated by Yoko Ono (October 2009), Human Glacier with sound by Paul D. Miller by LOIS and E.K.K.O choreography collective as the result of collaborative work with chemist David Garin, architect Annie Kwon, composer Matt McBane. The Drop, Chelsea, New York City
  • Conflux 2009 (September 2009), Water Stories by LOIS and E.K.K.O choreography collective as the result of collaborative work through iLand residency*, with chemist David Garin, architect Annie Kwon, composer Matt McBane, supported through iLAND’s iLAB Residency Program. Williamsburgh Waterfront, Brooklyn.


RESIDENCIES

PhotoNorth and Oulanka Research Station, Kuusamo, Kainuu, Finland. More-than-Planet residency in the Oulanka Research Station to create artwork that contemplates the intelligence of the boreal forest of Finland. 2023-2024. Exhibition slated for Fall 2024.

Beall Center for Art + Technology, University of California Irvine. Black Box Residency, Future Tense: Art, Complexity, and Predictability. Residency in Treseder Lab for the Getty PST initiative with research around complexity in fungi and plant signaling resulting in experimental artworks. 2023-2024. Exhibition to launch in August, 2024.

University of California, Davis. Thinking across Technology, Cellular Systems, and Ecosystems. NEA Artist in Residence with Dr. Matthias Hess: projected in 2023. Residency in UC Davis Hess Lab for the Art Works initiative, The China Shop, with interactive workshops and laboratory experimentation about microbiomes’ responses to climate change.

University of California, Davis. Thinking across Technology, Cellular Systems, and Ecosystems. NEA Artist in Residence with Dr. Matthias Hess as Cesar & Lois: Spring, 2020.
Residency in UC Davis Hess Lab for the Art Works initiative, The China Shop, withinteractive workshops and laboratory experimentation about microbiomes’ responses to climate change.

Yes We Cannibal. Eat the Anthropocene with Cesar & Lois. Residency in Baton Rouge, LA (virtual) with Yes We Cannibal collective: 2021. Explorations of human cultural and fungal cross-overs, with foraging workshops and the development of a mushroom AI.

University at Buffalo. Thinking within Ecosystems: Collective Cell Consciousness. Residency as Cesar & Lois at Coalesce Center for Biological Arts, hosted by Paul Vanouse: Winter, 2020. Laboratory-based experiments with project-based work and workshops on what it means to be human, with a focus on interactions between internal and external microbiomes, or the gut and the environment.

University of Memphis and Groundwater Institute. Artist in Residence as LOIS: Spring, 2013. Collaborative project with art and design students on art and science project about the Memphis Aquifer, resulting in the exhibition, Time Pools: Accessing the Aquifer at Art Museum of University of Memphis.

Bradley University. Visiting Lecturer and Collaborations Coordinator: 2011. Collaborative workshops in engineering and print and interactive media design; resulting in an interactive exhibit explicating entropy as well as earthquakes and their effect on social structures.

Leonardo/Olats with NASA. Artist in Residence as LOIS with the collaboration of NASA’s Mars Exploration team and Dr. Steve Squyres: 2010—2011. Project development and public interactions for Lovely Weather: Art and Climate Change, resulting in an exhibition at the Regional Cultural Centre, Letterkenny, Ireland

MIT. Faculty Collaborator in Synthetic Biology Lab with Dr. Natalie Kuldell: 2009 – 2010. Collaborative teaching of print and interactive media design to bio engineering students; collaborative lab-based development of interactive research.

iLAND. Artist / Researcher in Residence: 2009. Residency with E.K.K.O choreography collective, artists and scientists in participatory practice involving chemistry and dance focused on the theme of water; resulting in public art projects for The Waterpod (NYC); Conflux Festival (NYU); Dumbo Arts Festival; and the NY Water Taxis in the Brooklyn Bay.

California Institute of the Arts (CalArts). Visiting Artist for Intermedia MFA program: 2006. Development of digital media project connecting the University of Newcastle (Australia) and CalArts.

REFEREED BOOK CHAPTERS

  • Ecosystemic Thinking: Beyond Human Narcissism in AI (chapter). The Language of Creative AI – Practices, Aesthetics and Structures, ed. Vear, Craig, Springer Nature, Cham, Switzerland: 2022.
    Notes: chapter authored with Cesar Baio as Cesar & Lois
  • Bio-Digital Pathways: Mushrooming Knowledge, Expanding Community (chapter). Art as Social Practice: Technologies for Change,ed. Burrough, xtine, and Walgren, Judy, Routledge, New York, NY: p. 38–50: 2022. Notes: chapter first author; coauthor with Cesar Baio
  • Thinking Together through Practice and Research: Collaborations across Living and Nonliving Systems (chapter). The Routledge International Handbook of Practice-Based Research, ed. Vear, Craig, et al. Routledge, Abingdon, UK: 2021. IJCW-D-20-00017R3
    Notes: chapter first author; coauthor with Cesar Baio
  • LOIS: at Play in the Anthropocene. Postcards from the Anthropocene: Unsettling the Geopolitics of Representation, ed. Cincik, Benek, Tiago Torres-Campos: DPR-Barcelona, Spain: 2020.
    Notes: chapter on working with an art collective and with climate-related art in the Anthropocene
  • Drawing on Theory to Build/Unbuild Media, or Lalalalalalalalala. Critical Makers Reader, ed. Bogers, Loes and Letizia Chiappini: Institute of Network Cultures, Amsterdam University of Applied Sciences (HVA): 2019.
    Notes: chapter comprised of critical dialogue with co-writer xtine burrough

REFEREED JOURNAL PUBLICATIONS


RECENT PUBLICATIONS about


RECENT CONFERENCE, TALKS and WORKSHOP PRESENTATIONS

2023

Research in Art and Ecology, SENT, Oslo, Norway

Data Translation and the Communication of Complexity through Art and Visual Expression of Microbiological Communities, University Centre in Svalbard (UNIS), Longyearbyen, Svalbard

Computational Poetics: Language and Technology, University of California, Irvine *

Climate Teach-In panel on Climate Interventions: Micro and Macro, CSUSM’s Innovation Hub *

2022

Mycorrhizal Insurrection: Rerouting Anthropocentric Socio-Technical Systems talk (virtual) at ISEA2022 (27th International Symposium on Electronic Art) in Barcelona

Visualização de Dados: Como a Arte Move a Ciência (Visualization of Data: How Art Moves Science), speaker and workshop for the 4th INTERMITÊNCIAS at ACTlab (Laboratório de Arte, Ciências e Tecnologias Desviantes) at UNICAMP, Brazil*

Inclusive Sustainability Workshop, panelist on Inclusive Sustainability in Data Visualization, CSUSM*

Connecting Human and Nonhuman Intelligences, presentation at Listening to The Web of Life Interdisciplinary Workshop in response to the work of Helen and Newton Harrison, organized jointly by La Jolla Historical Society/ Scripps Institution of Oceanography

2021

Visualizing Arctic Microbiology (virtual): workshop series for Arctic researchers at UNIS in Svalbard (presenter)

Panel: Reading, Unearthing and Eating Anthropocentrism in the Work of Cesar & Lois (virtual and in-person), Yes We Cannibal in Baton Rouge, Louisiana

Future Now Symposium 2021 presented by Aesthetica Magazine (virtual): Cesar & Lois (panelist for artist panel)

California State University San Marcos: International Research Symposium (virtual): Cesar & Lois (presenter)

Beyond Return: Beyond Speciesism—Towards Ecosystemic AI (virtual): Cesar & Lois (presenter for discussion)

CSU Long Beach: Inclusive Sustainability: The Data Stacks: Modular Exhibition Space for Data Visualizations about Ecosystems, Climate Justice and Sustainability (panelist)*

2020

Happiness Alliance, CA, USA (virtual): The Happiness Roundtable: AI and Community Well-being, (panelist)

OsloMet (Oslo Metropolitan University), Norway (virtual): FeLT-Futures of Living Technologies (panelist)

CSUSM Kellogg Library, Chasing Andromeda Panel Discussion and Photography Display (virtual) (panelist)

UT Dallas, Arts Technology and Emerging Media, Artist Presentation to Masters Students (virtual)

Apresentação de Segundo Volume de Série Cibertextualidades: Investigação-Experimentação-Criação:em Arte-Ciência-Tecnologia (Presentation of the Second Volume of the Cibertextualities Series: Investigtation-Experimentation-creaction in Art-Science-Technology) (virtual): Cesar & Lois, Microbiological Poetics (presenter, panelist)

Coalesce Center for Biological Arts: Coalesce Disperse: Reports from the Lab, University at Buffalo (virtual): Cesar & Lois, Bio Art in the Time of Global Pandemic (presenter, panelist)

Discussion with BIOliloLAB (virtual, São Paulo bio art collective)

Universidade Estadual de Campinas (UNICAMP), Brazil, Graduate Seminar, Interdisciplinary Artistic Practice: Science, Technology and Climate Change (guest lecture)

Sarah Lawrence College, NY: Talk: “Art, Technology, and Ecological Thinking: integrated AI and networked consciousness” (talk by Cesar & Lois)

Coalesce Center for Biological Arts, University at Michigan: “A Collaborative Writing Workshop with Nonhuman Entities” (workshop by Cesar & Lois)

Colgate University, NY: “How do human beings think with microbiological logic?” (talk by Cesar & Lois)

2019

New Media Caucus: Border Control, University of Michigan: “Crossing Knowledge Systems: microbiological x human x artificial intelligences” (workshop presenter, panelist)

Consciousness Reframed: Sentient States, Porto, Portugal: “Crossing Knowledge Systems” (Cesar & Lois, presenter)

World-Ecology Research Network Conference: Planetary Utopias, Capitalist Dystopias: Justice, Nature & the Liberation of Life, SF: “An Ecotopian Framework for Rethinking Societal Paradigms” (plenary speaker)

Popular Culture Association: Communication and Digital Cultures, D.C., Living Archives Panel (presenter)

CSU Humanities: Humanities/Arts Webcast: “Microbiology as a Lens for Human Societies” (presenter)

2018

ISEA2018 (International Symposium on Electronic Art), Durban (exhibiting artist, panelist, Cesar & Lois)

II Workshop Internacional Arte & Ciência, Rio de Janeiro (co-presenter)

“The Operating Logic of Spores,” Universität der Künste, Berlin (guest artist lecture)

2017

Generative Art, Ravenna, Italy (exhibiting artist and co-presenter)

Balance-Unbalance, Plymouth, UK (exhibiting artist and artist talk)

UC-CSU KAN Nearly Carbon-Neutral Conference (presenter)

Popular Culture Association: Communication and Digital Cultures, San Diego (presenter)

UC-CSU Knowledge Action Network Workshop, CSU Fullerton (area representative)

Global Studies Faculty Colloquium Series, CSUSM (speaker)

2016

Creative Inquiry in the Arts & Humanities Institute (participant and co-presenter)

Building and Strengthening Digital Humanities Through a Regional Network (presenter)

CA Higher Education Sustainability Conference (presenter, award recipient)

ISEA2016 (International Symposium on Electronic Art), Hong Kong (presenter)
University of Texas, Dallas, ATEC ArtSciLab (presenter)

Popular Culture Association: Communication and Digital Cultures, Seattle (presenter)
AHSIE Best Practices, CSUCI: STEAM Across Classrooms (collaborative workshop)


SELECTED GRANTS

2023: Funding continuation of Planet Mentorship Project to support young artists of color creating works around climate injustice, awarded to collaborating centers at CSUSM (co-leader): 2023-2024.
Source: Wells Fargo Foundation – $20,000; Source: Hunter-Welborn Family with matching donor – $50,000

2023: Commission awarded to Cesar & Lois for production of an artwork that is also a vessel for arts curriculum for youth; Source: Institute of Contemporary Art San Diego (ICA) – production costs; Note: Collaborative project with Brazilian artist Cesar Baio

2023: More-than-Planet commission awarded to Cesar & Lois for production of an artwork based around the idea of “forest intelligence;” Source: PhotoNorth, Finland – production costs and travel
Note: Collaborative project with Brazilian artist Cesar Baio

2023: Getty Pacific Standard Time commission awarded to Cesar & Lois for production of an artwork at the intersection of Art and Science, on the theme of complexity and ecosystems
Source: Beall Center for Art + Technology, UC Irvine – production costs and travel
Note: Collaborative project with Brazilian artist Cesar Baio

2022: 13th Mercosul Biennial commission, awarded to Cesar & Lois for production of the art installation, Mycorrhizal Insurrection
Source:  Mercosul Visual Arts Biennial Foundation – production costs
Notes: Collaborating artist on artwork using bio-technological circuitry

2022: Foundational grant to Planet Mentorship Project to support young artists of color creating works around climate injustice, awarded to collaborating centers at CSUSM (co-leader): 2021-2022.
Source: CSUSM Donor – $25,000
Notes: Role as faculty co-director in collaboration with the Offices of Inclusive Excellence and CSUSM Sustainability, with CSUSM Foundation liaison Christine Andersen

2022-2023: Fulbright Global Grant for A Pan-Microbiological Portrait of the Arctic, the Andes, and the Amazon, research and teaching in Norway, Brazil, Peru
Source: Fulbright US Scholar Program – travel stipend

2020-2021: Grant for STEAM Artist in the Classroom, awarded to Center ARTES, CSUSM
Source: Clarence E. Heller Foundation grant – $25,000
Notes: Faculty coordinator of STEAM initiative in K-12 schools, under umbrella of Center ARTES

2020: Trifecta: Art, Science, Patron commission from La Jolla Historical Society, awarded to Cesar & Lois for a Salk Institute collaborative research and art project: 2020.
Source: Salk Institute and La Jolla Historical Society – production costs

2019: Water Resources & Policy Initiatives Faculty Research Incentive Award, role: Development of project on data visualization of CA water history

2018: Social Justice and Equity Project Grant (CSUSM; also in 2016 and 2017)

2017: Sundance Institute Commission to LOIS, role: project director and artist; Partners for the Americas Grant for art and science exchange with Peru awarded to California State University San Marcos and Universidad Nacional Mayor de San Marcos; directed by Robert Carolin, role: lead faculty for research exchange in the Amazon (Summer, 2018)

2016: Campus as a Living Lab (CALL) Grant for Data Visualization: Connecting Students to the Campus and their Environment with Art & Technology

2015: CSUPERB Travel Grant for research at UT Dallas ATEC Art-Science Lab; Digital Humanities Stipend for Digital Humanities Regional Network

2014: Oxnard City Council Arts Grant for Mentor / Mentee Project

2012: AIR Grant, Los Angeles Department of Cultural Affairs

2011: Museum of Contemporary Art, Los Angeles (MOCA) Commission

2010: OLATS Commission; CEI Grant, LA Dept of Cultural Affairs

2009: iLAND Fellowship; ApexArt Commissioning Grant; Arts Tasmania Grant

2008: e-MobilArt Fellowship; New Media Grant, Swiss Federal Office


HONORS and AWARDS

Selection of Cesar & Lois for the EU More-than-Planet Project, Finland. (2023-2024)

Selection of Cesar & Lois for Getty PST commission, Beall Center for Art + Technology. (2023-2024)

President’s Award for Scholarship and Creative Activity, awarded by CSUSM (2023)

Selection for 13th Mercosul Biennial, Porto Alegre, Brazil. 2022 (for Mycorrhizal Insurrection) (2022)

Fulbright Global Scholar Award for project, A Pan-Microbiological Portrait of the Arctic, the Andes, and the Amazon (2022-2023)

Shortlist for Aesthetica Art Prize (UK) for Degenerative Cultures for Degenerative Cultures (2021)

Honorable Mention in Edital CoMciência Edição 02 from MM Gerdau (Brazil) for Allochronic Cycles (2020)

Longlist for Lumen Prize in Artificial Intelligence for Allochronic Cycles (2020)

Final Selection for NTU Global Digital Art Prize Biennial Exhibition (Singapore) from NTU Institute of Science and Technology for Humanity (NISTH) (2019)

Shortlist for Prize in Intermedia Artwork for Crossing Knowledge Systems: Conversations across Nature and Humanity, by International Competition for Intermedia Work of Art (ICIA), Kraków, Poland (2018)

The Kerri Mowen Excellence in Faculty Mentoring Award, awarded by CSUSM (2018)

Lumen Prize in Artificial Intelligence for Degenerative Cultures (2018)

Change Maker Award for STEAM and Sustainability in Higher Education, awarded by CYPHER International at the Sustainable Earth Decathlon (2016)

Energy Efficiency and Sustainability Best Practice Award for Sustainability in Academics: Arts, Humanities and Social Sciences – Sustainability Experiences Through Interactive Design to CSU San Marcos, awarded by CA Higher Education Sustainability Conference (CHESC) (2016)

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